Juggling – From Antiquity to the Middle Ages

As with dance, so with juggling—the moment that the performer finishes the routine, their act ceases to exist beyond the memory of the audience. There is no permanent record of what transpired, so studying the ancient roots of juggling is fraught with difficulty. Using the records that do exist, juggling appears to have emerged around the world in cultures independent of one another in the ancient past. Paintings in Egypt from 2000 BCE show jugglers engaged in performance. Stories from the island nation of Tonga place juggling’s creation with their goddess of the underworld—a figure who has guarded a cave since time immemorial. Juggling games and rituals are pervasive in isolated Inuit cultures in northern Canada and Greenland. Though the earliest representation of juggling is 4,000 years old, the practice is surely much older—in the same way that humans were doubtlessly singing and dancing long before the first bone flute was created.

This book is an attempt to catalogue this tangible history of juggling in human culture. It is the story of juggling, represented in art and writing from around the world, across time. Although much has been written about modern jugglers–specific performers, their props, and their routines–little has been said about those who first developed the craft. As juggling enters a golden age in the internet era, Juggling: From Antiquity to the Middle Ages offers a look into the past—to the origins of our art form.

Thom Wall

ISBN – 978-0578410845

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Juggling – or – How to Become a Juggler (annotated edition)

The fully annotated edition of Rupert Ingalese’s 1921 “how to juggle” manual.  This book covers basic juggling technique, tricks with hats and canes, practice methodology, and more.  It’s an interesting look at the state of juggling pedagogy in Britain’s music hall era.

Rupert Ingalese, with annotations by Thom Wall

ISBN – 978-1733971201

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Body Talk – Basic Mime

Body Talk–Basic Mime covers the basics of mime in a workbook format that can easily be accessed by professionals and drama students interested in learning more about body movement and language. It should be required reading for any theater participant looking to incorporate elements of mime into their routines.

Mario Diamond

ISBN – 978-1733971218

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